![]() I also want to issue a huge thanks to the people who made the unreleased faulconer tracks available for use, as well as those providing instructions on making rips yourself. Without either, this project would never have been done (duh) and I owe it all to them. My Own Personal Rescore (a combination of DB's composers)įINAL NOTE: I want to give a massive thank you to Akira Toriyama for creating the amazing franchise of dragon ball, which I am a huge fan of, and the amazing guys who worked at Faulconer Productions (namely Mike Smith and Scott Morgan) that made this amazing soundtrack. Yamamoto Revival (episodes 53-98) by SuperSaiyanHedgeHog Kikuchi Score (Original Japanese Score) by IHaveNoUserName How you acquire those episodes is up to you.įaulconer not your cup of tea, or are you interested in trying a different score? That's cool, check out the other rescores currently available for Kai: However, like yamamoto revival project, you can easily put these in with your episodes. There are many reasons behind this, but mainly it’s because I’d get in major trouble for giving you the actual episodes, and that they are way too huge for me to be hosting. The way I did this is like the yamamoto revival, I’m only giving you the audio files. If you have some other edition the files might not appear to be in synch with the video footage. These audio files are synched to the Kai Blu Ray editions. You will need to already have the episodes with the video files and mux the two together. NOTE: These are not the actual episodes, only the audio files behind them. Dragon ball z ost bruce faulconer how to#Thanks to IHaveNoUserName for making the tutorial on how to do this -> Phew, now that we got that out of the way now let’s get onto the good stuff.įYI This is not an exact replica of the original score, kai's cut being different aside I definitely took some liberties with the music in some places. Other works not used by Faulconer Productions are the property of their respective owners. ![]() The music used in this product is largely owned and produced by Faulconer Productions. Dragonball and all associated products are owned by Toei Animation and Akira Toriyama, produced in English by FUNimation. ![]() They're definitely also never going to work with Bruce Faulconer again given how that business relationship ended.This is a fan-project. Sadly, what remains of 4Kids will probably keep doing that to Yu-Gi-Oh! forever. Dragon ball z ost bruce faulconer series#It really doesn't fit the series 95% of the time, and it is incapable of silence for appropriate scenes.įUNimation is never going back to that company that replaces musical scores, and that's a good thing. There's no reason to believe, given the success of the franchise world wide, that we needed an inaccurate dub with changed music to take off in America, as long as it ran in the right place at the right time.Īll the nostalgia in the world can't get me back into this music. What helped DBZ succeed was its run on Toonami at the right time. The Ocean Dub had an entirely separate soundtrack, yet it was also well received. People act like the Faulconer track is somehow solely responsible for Z's success in America, yet that's not even true. ![]() It completely changes characters and context for most situations to fit a more typical "superhero" feel.Įxcept for the fact that every single other dub in the world did not have the Faulconer soundtrack, yet Dragon Ball Z was still a massive hit world wide. The Falconer stuff feels extremely amateur because of how it's shoved into the whole series.īut honestly, the Falconer soundtrack isn't even the worst part of the dub. I find it to be akin to how Suicide Squad felt like a mishmash of music videos made into an entire movie. It never felt part of the DNA of the series (as someone who grew up with it and loved DB/DBZ, I still did notice the music was awkward a lot of the time). Sure, there's a few moments where it actually works quite well for the scene but even a broken clock is right twice a day. The music is always there, always loud, and it always overpowers every scene its in. You never get that in the Falconer score. Nothing completely overpowers the other, we're given a sense of levity based on what we're hearing or not hearing. The original lets everything come together for scenes the sound effects, the voice acting, and the music. I don't think it adds anything, it's merely distracting and covering for lack of good voice acting.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |